Wednesday, July 11, 2007

I walked in to get a second fork

From my room on a late night, summer breeze blowing through handmade organza curtains, in his boxers and nothing else, discarded after borrowing them for wont of a pair of my own, alternating between this page and my work email because my cell phone has turned into a blackberry relaying messages from Dhaka, sipping meaningless, guilt free Royal Milk Tea –

Inspiration strikes.

I want to write

I NEED to write.

About how a few mornings back I saw a smile in a sticker by Lees Boulevard, and noticed the orange of a carnation lying on the pavement. And how it made me feel.

FEELING, what a sweet novelty. After months of numbness, bitten by the frost of my surroundings, I am warm and flowing again.

Write about how the blur is gone, how I feel like I am reliving the first few moments after my pupils are able to contract under my control again after a visit to the evil optometrist. [damn those eye drops] How I am able to look, and focus, and see.

How I’ve relearnt to open myself to the deserving and his early morning whispered ‘carpe diems’.

And it’s too much for one person to take, I need to share it.

But not here.

He fell in love with me here, and my tales began to be written for him. My words, spoken for him. So no, not here.

All the realities that live within me will live elsewhere.

I am fair, despite having played dirty for a time: I know how interpretation can sting. And I know that I don’t want him to know just how good I’m doing. Not here.

Maybe next time we bump into each other in a drunken stupor, on a night when he is not compelled to try and hide both of them in a corner. When honesty overcomes him, and he can speak directly rather than beating around burning bushes.

When we can both look at each other in the eye and, with a smile, say I'm happier without you, better with another. Myself with another. HE gets me. Because sometimes, some things don't need to be explained. They're just understood, slowly but surely.

When he realizes that I am more lucid, more intuitive and stronger than he gives me credit for. I’m done playing dumb, and I’ll be the bigger person. Moving on,

Away from here.

Wednesday, May 16, 2007

I'm feeling it again

That unbearable urge to run.

Well not so much run as escape. Discover? Bust out of time, space and self?

Funny, I only get in when I have nothing to run from and so many things to come back to. When I'm confident I'm only leaving guilt-free, and only coming back to good things.

Wednesday, May 09, 2007

compendium

I have been finding my echo resonating from the most unlikely canyons. I spoke softly into the recesses of the past, and my own words & thoughts came back, resounding, in a voice calmer than I had previously known it to be.

And so if two people's thoughts mirror each others', validation being found, I can now ask: why?

Why do we label, box in, mold people? Why do we expect the unattainable, or rather why do we expect others to embody ideals we ourselves know we couldn't - let alone wouldn't - attain for others?

I lay in bed last night tabulating and self-reassuring, and tabulating some more and confirming that I was not fooling myself. Making sure that I hadn't done unto others as I wouldn't want done unto me - pointing fingers in the dark to see that whta I was in fact pointing to was a mirror.

And breathing, for the time being, a sigh of satisfied relief.

I had been good at - and with - non definition. And, it would seem, still am. Approaching people as they are and can be to me: think Kinsey's continuum, only the two extremes are friendship and partnership. They can't - and I don't expect them to be - either of two extremes in my life or disappointment will be quick to follow. In my mind, no one can fit the ideal of either label, primarily because these ideals (of friendship and partnership) are bound to transform at the rate of my self-affirmation. To, further, expect of an individual that he or she - or rather his or her enactment of their role in my life - adjust to these daily re-definitions (for what purpose? to have their response to myself validate my ability to perform my own will of being?) - would be a grave injustice to them, and a pretty irrefutable proof of my selfishness and lack of respect for both myself and those around me. Acting as such would diminish them to the state of mere pawns for the mind games I play with myself, strategically placed puppets waiting for their cue to enter the stage and pay their part in the theater of my life. Relationship would be nothing more than action/reaction, subect to object, leaving no room for equal exchange. They would become all things to me, and that much less to themselves. I would love them not for who they bring to the table, ideally themselves, but rather what I shape them into being. Who they will be for me, what I will help them to become. For better or worse, til death, or the resurfacing of lucidity and self-awareness, do us part.

To put it simply; I fully recognise that other people were not placed in my life to service me. We all have better things to do than bend and fold to other's expectations of us.

Love is... the ability to cherish and value an other for what they bring and add to your experience as a human being. Synergy. Allowing them to agree with you when they can, challenge you when they feel you and them may not be perfectly in line. It is a lot of dialogue, and a lot of vulnerability, realising that even the closest you can find to your match may not always be a perfect fit. No two individuals are alike, and once again, if what you are searching is you in a different incarnation - buy a mirror. Ideally Queen Elspeth's.

People do not naturally fit any other mold than the one their own lives cast for them. And even then, we are but hermit crabs - as they switch shells we switch molds when we have outgrown the previous one. The artist knows that to remain ahead, one must be in a state of constant re-invention. Too many individuals find fallacy in contradicting self, yet isn't it also true that only fools never change their minds? Granted, a comfortable life does not always require change - eventually, we all gel and become complacent, for lack of anything in our environment challenging us to better ourselves... And with change comes a discomfort most would rather live without, failing to see the exhiliration that comes with it.

I recall, to my dismay, finding great satisfaction in pulling hermit crabs from their shells during family vacations by the sea. Although, it was always to ease them into nicer, more spacious shells. I always made sure they were able to remain mobile and that their new shells weren't too heavy for them, a burden in disguise. And then I'd leave them be, let them go on with their little hermit crab lives - having played my part and needing to be with them no longer.

A rather brilliant acquaintance once wrote - Love is the psychological manipulation of will. More specifically it is manipulating another's will so as to narrow the concept of choice. I thought of that a couple days ago and thought it sounded nice.

I thought of that a couple of days ago and thought it sounded true. I recall reading it when he first wrote it and going - Tsk, yeah right. Damit.

And yet, I expect. Once something is defined, vulnerability settles in. The relationship as it is now named becomes more like a position and the encounters, enactments of a job description. I am meant to be ______ therefore I ______ - or else... Relationships are, sadly, untenured positions. Even marriage, most sacred of contracts, does not protect from summary dismissal. Slowly, unconsciously, one becomes increasingly invested in staying true to the relationship as it is meant to be, to the expense of the partner as they actually wish to be treated.

Odd, I know. You'd think at some point partner A would talk to partner B. But then no, not always. The dynamic is such for a reason, and likely because it defines the relationship. It gives us what we all so need: validation and power, through the ability to see one previously independent being become dependent, attached, needy. It disgusts me, but that kind of power becomes addictive: how many people have you met set their lovers free because they are 'loved'/'valued' too much, out of concern for the existence of what was previously an individual?

The beauty of a person is what they offer by surprise, from the depths of their free will, desire, and goodness. Actions orchestrated or commissioned lose their essence and their meaning. Attached to a set of expectations or tailored to suit the other's desires, they can do nothing but fall short (although, temporarily, bringing satisfaction, their impact's shelf-life will seldom outlive the moments calling), for too often we see each action as a singular entity, rather than part of a constant expression of love, part of a chain of events or a narrative.

And if we do see that narrative as it is - the first instinct is to balance: does he/she exceed expectations, or fall short?

But... does he/she even know what is expected of her, has anyone ever let these expectations be voiced and agreed to? Do YOU even knwo what your expectations are, or are you just making it up as you go along?

Another brilliant person, whose voices has since echoed throughout those of the people I respect most said: You can't ever expect to be able to live with someone else until you can live with yourself. Until that time, they'll never live up, because neither you nor they knwo what they're living up to.

Knowledge of self is essential, a precondition to not loosing oneself within, and falling short during, a relationship. Without knowledge of strength, boundaries and shortcoings, too much energy will be wasted in 'Trying to be' - when a few more years of soul searching would have provided a quick, decisive 'No, I can't be that. Look elsewhere.' Although we as humans are only become human through other humans - through our relationships and daily acting outs of self - who is to say that one individual should have a greater hand in this becoming - mostly if we act for them as opposed to as them (assuming that the latter would find the partner be a source of inspiration, a marker pegging a desirable way of being).

What so many of us do is value the other, then the relationship, at our own expense. Being unable to accept 'failure' we try to succeed at the unachievable. It's Sandra Oh (Christina) choking in her wedding dress, having been dropped from unsightly heights: she was free. In the interest of being with him, I'll do anything: make myself less threatening, non-confrontational. Less things matter since he walked in, all the things I held on to, the periphery of my being, they matter less - if they ever really did, although they were the small thigsn that amde me me. He penetrated my shell, therefore I can shed it - not realising that bit by bit he'll get to my core. All the compromises are but mere acts, mere moments for a greater purpose, until we realise that we have been spending all our energy in attempts to soothe. Acting pre-emptively, re-balancing externally the internal will to be ourselves (What if he doesn't realy like who I am under this - he came in thinking I was all this, i can't break his mold of me by being ME, can I?). Playing a guilty game of one, between mind and actions. Until you realise you are uncertain, that nothing is instinctive and that everything has to be thought out. That you are convincing yourself and acting as though this was a promotionless job.

A relationship is a meeting of two people who, ideally, are good alone and potentially better together, as two individuals in a partnership. A relationship is NOT mutual validation and uplifting, and it is certainly not one's ability to vaidate and uplift the other, unilaterally. It should not find one acting for the other to their own detriment, because what they give up is that much less of themselves the partner will get to enjoy while they are slowly chewing away at the other, sooner or later leaving none. And moving on to the next.

Monday, April 30, 2007

background info

Just food for the upcoming convo to be had between myself and the 3 people who still check this thing [sadly, all women - I'd love to have an XY's take on this one]:

What the FUCK

Saturday, April 28, 2007

... show no signs of vulnerability

I try to keep latin dancing in its rightful place, like most other dances I love. Hip hop is another. Keep them in the clubs, the noisy unlit places where anything goes and I frankly don't care about the amount of booty booty booty booty rocking everywhere - and whether or not mine is part of the role call.

Latin dancing - metaphor for a world I'd rather deny being a part of, where men lead while women are doing most of the actual work.

Men in the driver's seat... women, then, being what? Too much movement is involved for us to be the passenger, being carried. We are then vehicles, the ones being driven.

vehicle
Pronunciation: 'vE-&-k&l also 'vE-"hi-k&l
Function: noun

Etymology: French véhicule, from Latin vehiculum
carriage, conveyance, from vehere to carry -- more at WAY
1 a : an inert medium (as a syrup) in which a medicinally active agent is administered b : any of various media acting usually as solvents, carriers, or binders for active ingredients or pigments
2 : an agent of transmission : CARRIER
3 : a medium through which something is expressed, achieved, or displayed ; especially : a work created especially to display the talents of a particular performer
4 : a means of carrying or transporting something : as a : MOTOR VEHICLE b : a piece of mechanized equipment

Vehicle.

An inert medium. Through which. A work created. A means of carrying. Transporting. Something.


medium
Pronunciation: 'mE-dE-&m
Function: noun

Inflected Form(s): plural mediums or me·dia /-dE-&/
Etymology: Latin, from neuter of medius middle -- more at MID
1 a : something in a middle position b : a middle condition or degree : MEAN
2 a : means of effecting or conveying something: as a (1) : a substance regarded as the means of transmission of a force or effect (2) : a surrounding or enveloping substance (3) : the tenuous material (as gas and dust) in space that exists outside large agglomerations of matter (as stars) b : plural usually media (1) : a channel or system of communication, information, or entertainment -- compare MASS MEDIUM (2) : a publication or broadcast that carries advertising (3) : a mode of artistic expression or communication (4) : something (as a magnetic disk) on which information may be stored c : GO-BETWEEN, INTERMEDIARY d : plural mediums : an individual held to be a channel of communication between the earthly world and a world of spirits e : material or technical means of artistic expression
3 a : a condition or environment in which something may function or flourish
b : plural media (1) : a nutrient system for the artificial cultivation of cells or organisms and especially bacteria (2) : a fluid or solid in which organic structures are placed (as for preservation or mounting)c : a liquid with which pigment is mixed by a painter.


Something in a middle position between what and what, who and whom? The self back to its creator... or his audience? In dance, one hopes the end result is an edified couple, in a sense. Building upon themselves, holding each other up for the audience [performers' livelihoods, after all, not depending on their own fulfilment]. And yet, I often feel like little more than punctuation at the end of the sentence written by his hand - an element of the set-up meant to revolve around him, like a pair of quality shoes or his pressed, crisp shirt. In latin dance, everything revolves around him - he has the power to hold us both up, he guides the steps which will make us both look good and stay ahead. My work is to follow and spice it up. Punctuate. Work my ass off in doing so, as I will compensate for his lacks in rythm or technique. All signs may have pointed towards a dip, when in fact he meant a spin. He stands upright as he watches me freefall - it will have been my fault, unless I manage to save the moment. And never mind the amoutn of times I must maintain character as he steps on my toes! But everyone knows and understands that in the end, the credit will go to him. Follow and punctuate, compensate and keep him afloat. Everyone will notice, no one will tell. My, what a dancer, and how lucky he is to have such a beautiful partner, too! How he knows to make her shine!

The first thing a dancer learns to do if s/he is to survive is how to project. Select a point in space as your anchor to avoid losing balance or worse yet, becoming dizzy. In performing a turn, for instance, one is to focus on a static point in space, and not take their eyes off it. Men, I suppose, apply this rule differently.

With few having an eye trained to see through the mystery of the footwork to the technique, no one knows what truly goes into a couple's dance. Seeing that while he leads in technique, he also leads in terms of the energy he exhudes, which taints the mood and pace of our dance. I am the vehicle and by my presence he allows a new expression of self to develop - one of the soul he seldom exposes through himself but freely pours on me. Knowing that I could express it in movement better than he, still incapable of managing much of it all on his own. As women we are limber, adaptable, graceful, malleable. They need our grace to remind themselves to find their own. I must accept this energy, adopt it as my own for the time of our dance, lest we seem as awkward as we truly are. For the sake of visual synergy, for the sake of the audience and his saving face - the show must go on. How he feels the dance, what he wishes to draw from the rythm he hears and how he applies his interpretation when it is translated into movement - may not be what it inspires in me. Bachata to some is a melancholy dance, to others it is a dnce of hope. Salsa a dance of joy, of liberation or struggle. Or it can be all these at once, progressing as the music goes. Hopefully, a seasoned couple will have found a middle and know to read each other's flow. But, you know - machismo. A woman can only hope. Or tiptoe and slide through it at breakneck speed, knowing that eventually he will tire and the song will end. Or perhaps, in a moment of deluded clarity, she will assert herself and he will promptly lose interest.

I write this with the knowledge that this chapter of my life is in a state of constant culmination - as I am woman, it will never end. Every week will have its Thursday, Friday and Saturday nights. There is an imaginary elastic tied by an unknow hand around my waist and the further I walk away, the greater the snap-back tension becomes.

But as I step away from the dance floor today, the song having ended, I sit to rest my blistered feet. Soon they will be calloused and I, capable of withstanding more - though the balance of things will make me feel less. I'll sit the next few dances out, knowing better than to accept the next partner's offer. Wait for one who is aware of the audience, yes, but dances for us and with me. Offers to dance, rather than - yes - projecting how he would like it to be unto me and leaving me to untangle his confused steps and organise them into a manageable sequence. Who will lead less, and, perhaps, even spare the dance and simply care for my feet. Knowing that before I can dance again, I need to be able to feel the ground under them, and sense the beat through the earth carrying us.